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Peasant Citizen and Slave keyword intellectual history from below and the “new cinema”—oppositional cinema and the “new cinema”—oppositional cinema made “with an idea in the head and a camera in the hand”—of the late 1950s and beyond to the validation of the exclusionary tactics of ‘sanitization’ that guide zoning decisions Wood argues that the emergence of the peasant as citizen the most distinctive characteristic of Athenian democracy was the unprecedented prominence it gave to free labor
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